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Further, the mechanicals understand this declaration as they take on their work parts for a corporate performance of Pyramus and Thisbe. More specifically Twelfth Night emphasizes how Viola’s disguise as Cesario, and Sebastian’s role in tricking Olivia into marriage, is an identity crisis in which both Viola and Sebastian choose not to indulge in their own desires but each other's.
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So, you've got someone you deeply care about, and who cares just as much about you. However, you know the two of you cannot stay together: being near you, or.
The instances of mistaken identity are related to the prevalence of disguises in the play, as Viola’s male clothing leads to her being mistaken for her brother, Sebastian, and vice versa.
Sebastian is mistaken for Viola (or rather, Cesario) by Sir Toby and Sir Andrew, and then by Olivia, who promptly marries him. Many of the problems and confusions in Shakespeare’s “Twelfth Night” are the result of gender bending episodes, many of which involve disguise and deceit of one form or another.
Others may argue that the comedy conventions in Twelfth Night don’t come from the theme of mistaken identity but from other aspects such as Sir Toby and Andrew’s physical/drunken behaviour, using the medieval comedy convention of bawdy humour the characters of Toby and Andrew create a sense of humiliation towards themselves.
This could be supported by the critic Bergson as he says “the .Twelfth night themes of mistaken identity